Dubbed the GFX ETERNA “55” in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.

The GFX ETERNA 55 offers five main formats that are paired to specific lens categories:

• GF and Premista, for use with FUJIFILM lenses.
• 35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.
• Each of these five formats has multiple resolution selections, further expanding your capture options.

The GFX ETERNA’s large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.

Take full advantage of the GFX ETERNA 55’s large sensor and internally record video in Apple ProRes 422/HQ/LT, 4:2:2, 10-bit HEVC/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.

Users can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions include 1-100% scaling, four line widths, and five color options.

The native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke /i lens data where available.

The built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.

New to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.

In addition to the 20 film looks, the GFX ETERNA 55 lets users create 3D LUTs for select film simulations for use with the expansive colors and dynamic range of F-Log2 C.

• ETERNA, ETERNA BLEACH BYPASS, PROVIA/Standard
• Velvia/Vivid, ASTIA/Soft, REALA ACE
• Classic Chrome, Classic Neg., ACROS

An internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.

The GFX ETERNA 55 features dual built-in 3″ touchscreens with 4:3 aspect ratios and 700 cd/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55’s external 5″ touchscreen color LCD monitor provides a 16:9 aspect ratio and 2000 cd/m² brightness for daylight visibility.

The included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.

Built-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported using the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.

Compatibility with the TASCAM XLR microphone adapter handle lets you expand the GFX ETERNA 55’s audio input options.

• Grab button for capturing still photos
• 2-pin LEMO output for powering accessories
• SDI, HDMI, genlock, USB-C, Ethernet, and remote connectors
• All connectors have durable caps to protect against dust and debris
• Microphone input and headphone output